Death

Have you ever done something embarrassing in high school?

Have you ever done something embarrassing in high school for like six solid years and posted about it on the internet multiple times a week?

Hey. It's me. I wrote XKCD Isn’t Funny (XIF, pronounced “zif”) from when I was fifteen to when I was twenty-one. I'm twenty-six and a girl now, my name's Gwen. I keep on meaning to make this big video essay type thing about the XKCD anti-fandom, but I am an adult who works full time and struggles to get my chores done, so. I'd rather have my thoughts out in this form than not at all.

There were a lot of mistakes I made with this blog. I kinda wish I could go through every post and update them all with disclaimers about how wrong I was. But that would require me to read and edit like four hundred examples of my high school and college writing, and I do not have the psychic strength to do that. So: Anyone reading through this blog from this point forward, after every post, imagine that current-me is yelling at younger-me for being a fascist and/or an idiot. 

One of my biggest mistakes was trying to be funny. It really cannot be overstated how much of a self-own so many of my posts are. I tried to criticize someone for being unfunny only to continuously prove that I'm less funny than them. 

Fun fact!: When I started this blog I was largely known in high school for being the person who tried to be funny but wasn't good at it. And for being "that weird kid".

Can you imagine all the better things I could have done with my time? I could have learned an instrument or DIY’d my HRT. I could have at least made video essays instead of blog posts, yknow, created media that people outside of a specific niche might've seen.

Fun fact!: Since starting this blog, I have been diagnosed with severe chronic depression, autism, CPTSD, and OCD. Everyone knows the best judges of comedy are suicidal autists. 

Another mistake was trying to be smart. My understanding of comic art as a medium was near exclusively limited to a handful of webcomics and Garfield. My grasp of comedy was only a few years developed from unironically enjoying Family Guy. My knowledge of media criticism started with The Nostalgia Critic and ended with the other XKCD hateblogs.

Fun fact!: I never even opened the copy of Understanding Comics I bought like, four years into XIF.

And like, I probably could just delete this blog, and nothing of value would be lost. But every so often, I get a comment saying my shitty jokes are funny or that they wish I'd come back. Every time, it makes me feel like I've at least made my mark on the world or whatever. And also, it's really hard to spend years on something and not feel kinda proud of it. There is the occasional good point in the morass of poorly-disguised self-loathing and sub- sub- Yahtzee Croshaw "criticism". It is at least a document of my progression from ignorant gamergater asshole to semi-tolerable well-meaning leftist. Is a sucky legacy better than no legacy at all? I dunno. Maybe not. This blog is essentially a massive list of reasons to cancel me if I ever stumble upon success. That's without even considering the fact that I'm trans; and if you're a creator who's trans, a group of people will manifest exclusively to try to ruin your life and get you to kill yourself. Is that karma? I used to be part of a harassment campaign and now I worry constantly about being on the receiving end of one?

I once looked up what people were saying about me, and it is brutal. One person started their comment with something like "I found this blog and it just made me really sad.". Fuckin... ouch. And to be clear, I deserved it.

Fun fact!: I once referenced this blog during a job interview as a demonstration of my social media expertise. I was somehow hired on as an intern for a few months. That internship was a college graduation requirement. 

It felt really good to be part of a community for a while. A small community, hindered by the fact that Google+ prevented anonymous comments at the time, but still. It felt good to contribute to something. Those memories are mostly tainted now, though. 

Jon Levi, the guy who made the post that lead me to the XKCD hatedom in the first place, is now a weird self-hating fascist transmisogynist even though they're trans. Check out their twitter, they're straight up retweeting racist shit and decrying unions and arguing with parody accounts. Sad. Thank fuck the terrible podcast I did with them never went anywhere. Yknow, I still have a short story by them where they reinterpret Cinderella as a wholesome ‘coming out trans’ tale. That’s from before they got radicalized into hatred. If I'd been a better friend to them, could I have saved them?

There's another guy who did XKCD Still Sucks, I forget if he ever gave his name. He started when I announced I was stepping back from regular updates. He says I have "bonhommie" in his blog description, and the first time I read it, I carried that around with me all week. Fuck yeah! People think I'm a nice person! Anyway, most of his blog posts are one-liners, often with a weird fash bend. There's one post that attacks the sexual revolution. I suppose it’s less unexpected than I’d like. Stepping on someone else's platform to immediately start spewing horrible viewpoints was essentially what I did when I started XIF. It did kinda sting, seeing people seemingly respond so positively to such negative-vibes, low-effort writing. Is that really what’s wanted? Was all my effort at improving my writing just wasted? Cause I can stop trying, yknow. I can just update a blog every day and say "Randal Munro more like dumbass fuck". It'd lower the collective standards of discourse by another few notches but I'd take the patreonbux.

Hang on, real quick, let's do one last review so I can say I did the last one.

XKCD Isn't Funny - #2065 - Who Sends The First Text?

Happy spookaween, everybody! Today we're doing something VERY SPOOOOKY: The unfalsifiable fear that your most valued friendships are based on societal politeness rather than mutual interest and they'll drop you in a heartbeat as soon as it becomes acceptable. OOoooooo!!!

I feel like there is actually a potential joke within the information presented here. Something about how we're just putting up with automated alerts? Or like, what if the automated alerts were thirsty for the receiver? Actually, this is a super easy fix: just flip the graph so that "definitely just politely putting up with me" is on the right. That way it'd be the last thing that people read and it'd work as a kind of punchline. Not a very good punchline, but still.

As it is, this comic is almost aggressively bland. Minimalism is one thing, but the almost perfect symmetry and use of phrasing like "automated alerts" would make it boring even if it was funny. C'mon, replace that flat slab of gray in the middle with a nice gradient or something.

By the way, you know what else is SPOOOOKY? Unopposed fascist dictatorships! Go out there and VOTE on the seventh!! The issue's so big that Randall and I are putting aside our blood rivalry to tell you! (I can't prove it cause I'm on a shitty Chromebook thing that can't screenshot but there's a little thing on the XKCD homepage saying "Check your registration and find your polling place at vote.org.")

Oh, and by the way: If you're worried, even if you text first one-hundred percent of the time, they're probably not just putting up with you. It's much more likely that they've just accepted your role as the conversational instigator in your shared micro-society.

XKCD Isn't Funny - #1984 - Misinterpretation

I really don't mean to be snarky or sardonic when I say this, but it is a little incongruous for this comic to be so sarcastic when it's trying to tell off poor communicators. One of the most important features of a good communicator is friendliness; it makes the target more open to the message. This is why salespeople are supposed to smile all the time.

Notice how I said it makes the target more open. This is because people can be resistant to certain kinds of messages for various reasons. If someone is personally invested in an ideology of one kind or another, it can be impossible to persuade them to change their mind, because it's important to them that their ideology is the right one.

For example, in the 50s, there was a very small cult of people called The Seekers (not to be confused with the band of the same name) who believed everyone on Earth would die in a huge flood, and they'd be taken by spaceship to another planet on a specific date. As you would in such a situation, they sold all of their possessions and left their marriages. Then the flood didn't happen. The interesting thing is that before the flood didn't happen, the cult didn't really try to spread their message, but after the flood didn't happen, they suddenly started trying to convert everyone they could. This is because they literally could not alter their beliefs, if they did, they'd have to come to terms with the fact that they just ruined their lives for nothing. They had such a stake in the game that they couldn't start rooting for the other team.

The source for that piece of information is Art Of Propaganda by Anthony Pratkanis and Elliot Aronson, and you can go and read that and find even more ways that the human brain can be resistant to certain kinds of messages. Especially political ones!

My point in all this is to say that there are people who are literally looking for ways to discredit certain arguments. For example, back when I was 14 and even more of an idiot than I am now, I was very into a certain political trend at the time; let's not get into specifics because it's very embarrassing. And during that (VERY BAD) time period in my life, there was a post I saw on tumblr that compared something to how if you boil a frog slowly it doesn't notice. And because I was invested in having a certain worldview, I did a very silly thing and responded with "the frog thing isn't real", as if that was actually a refutation of the post. That's also why you get weird people who make super semantic arguments when you try to make a point on Twitter. They, like myself in a past life, have programmed their brains* to focus on trying to dismantle arguments that go against their worldview.

By the way if you're wondering the end result of that past life, there was a really cute girl I was into and I annoyed her so much with my dumbassery that she blocked me and never spoke to me again even though I'm like 90% sure she was also into at one point.

I guess my point, my 'thesis statement' if you will, is that yes, communication does require two people, and sometimes the other person is being a dick and it's okay to blame them for not getting the message.


*I was gonna link there to the philosopher who said "Your mind is software. Program it. Your body is a shell. Change it. Death is a disease. Cure it. Extinction is approaching. Fight it." but it turns out it's just the tagline to a tabletop RPG called Eclipse Phase but it's still a really good quote so check them out I guess?

XKCD Isn't Funny - #1990 - Driving Cars & #1993 - Fatal Crash Rate

This review is going to be a little bit more vitriolic than I usually am, just because this kind of content really gets under my skin. (Please note that I am NOT saying that Randall should not have made this comic, I'm only talking about my reaction to it.)

I'm going to get a little bit abstract here, but bear with me. I'm not smart enough to know the word for this, but look at these comics through the lens of their function, what they do. Not what they're intended to do, ignore that for now, but what does a reader experience when they read this. I imagine for most people, all it will do is make them afraid. And, in my opinion, needlessly afraid.

Now, statistically, yeah, driving causes a lot of deaths. But that 'a lot' is only 'a lot' relative to other things. Compared to heart disease it's jack nothing. You're more likely to die from suicide. There's only a million deaths worldwide per year. That's WORLDWIDE. The odds of you, you the person reading this, dying in any given car crash is astronomically low.

All this is to say that the comic is essentially fear-mongering. And that is incredibly spiteful of me to say, but Randall has a large audience and it's callous of him to post things that only scare and worry people. These aren't awareness things, the last one isn't even the push for self-driving cars that it could be. And yes they're presumably Randall's honest feelings and yes he has a right to say it and all that but it's very lame that he was unable or unwilling to make a comic that expressed those feelings as his personal phobia rather than as something that is easily generalized to the reader.

I'd also like to point out that at least in my state of Rhode Island, high schoolers have to first take an unbearably boring driving class for like seven hours a day for two weeks, then drive with a legal adult who can drive for two hundred hours, then take a drivers' test. And that only gets you the restricted licence which doesn't let you drive with more than one underage passenger or after dark for (if I'm remembering correctly) nine months. And THEN you get your real licence. (Some of the fine details might be slightly off, it's been a while.) Other states probably have different laws, but no, not everyone on the road did a single test. And even IF that's all you have to do, you presumably have to have PRACTICED driving to get to that point. AND if someone does get into a crash, their licence can be taken away for being a bad driver so they don't get into another crash!

Oh yeah. Neither of the comics are jokes nor do they provide any valuable insight into anything. The second comic in particular seems to be based on wild conjecture. As that second link says, most car deaths occur between the ages of 15 and 44, but Randall's first chart has his current age of 33 as a low point of probability.

In conclusion, the best part of these comics is that one of them is numbered 1990, which is the year my favorite album came out.

How Dara Ó Briain uses the audience to set up a joke

Dara Ó Briain is somewhat unique among standup comedians in how much he interacts with the audience. Not just attacking people Dice-style or sparring with hecklers, he'll actually have full conversations with random people in the front row, or call out for answers to a question.

An important thing to note is that Dara does have solid improvisational skills. Check out about twenty-eight minutes into his 2008 special Talks Funny where he's able to almost seamlessly set up and deliver a multi-part bit based off of a woman unexpectedly shouting out "Energy!". But improvisation can be risky; unless you're Ross Noble, you need solid prepared bits to maintain a full standup set. Here's how he uses the audience to seem more improvisational than he actually is to help the show feel spontaneous and fun.

The part of Craic Dealer shown above (it starts at about fifty-eight minutes in for those of you reading after that video inevitably gets taken down for copyright infringement) starts with about two minutes of setup. The two pieces of technology chosen (computer, refrigerator) keep the audience thinking in a certain axis of technology (modern, electrical). If someone really wanted to be an asshole (NOTE: you shouldn't, hecklers suck), they could totally jump in with a suggestion like "lightning rod" or "not using lead pipes".

It's important to remember that this is his last show on this tour. He's had a few months to hone the details of the rehearsed parts, and he's done this bit multiple times. So when he responds to "microwave!" with "A microwave is the simplest machine you could think of!?", that's probably a prepared line he's used for other people who've shouted it out. And again, that isn't a knock on Dara, that's what comedians are supposed to do, they are supposed to have techniques to make a show funny.

Also notice how he subtly dismisses "kettle" after listing it as a good suggestion by focusing instead on "toaster". And when he asks for a "simple, non-electrical machine we use every day", there's really only one answer to that, which is naturally the one he's prepared for. To my ears it sounds like someone also shouted out "golf club", which again doesn't work in the bit.

By preparing the audience to think in certain ways and then selecting the answers that work best, Dara is able to make the show seem more free form than it actually is, and the show is better as a result.

(Dara if by any chance you're reading this, stop now)

This is one of the reasons I was disappointed with his most recent special, Crowd Tickler, which unlike his four earlier specials, contains no audience interaction in the beginning and very little throughout. (Only four times by my count, three of which are just different members of the audience saying "Yes." to something Dara says.) Maybe he's just low energy from having to host Mock The Week for sixteen worthless seasons.

XKCD Isn't Funny - #1975 - Right Click

There's a game called The Last Guardian, and while I don't know jack crap about programming I've been told it's very impressive from a programming perspective. However, in Previously Recorded's review of the game, they not exasperatedly:

"...they spent six years making this fucking dog, and nobody made an interesting game to go with the dog."

And that's more or less how I feel about this comic. (If you're confused, click the comic to go to xkcd.com, then right click the comic there.) I am genuinely impressed that Randall managed to organize a weird drop-down menu thing within what seems like a normal comic at first. It does also seem like he put a lot of work into making a large number of branching paths. (Although, at time of writing, many of them do lead to dead-ends of one kind or another)

I think that most people, the first time they right-clicked, went to the top-most option first. So, "File" -> "Close", and then that very first button (at time of writing) doesn't do anything. Which, fair enough, it's just "Close", I'm sure the next one will be better. So then most people will probably go "File" -> "Open" -> "A:/" -> "Insert a disc into drive A" -> "Floppy disc" ...which also doesn't do anything. The "Chip card" option under "A:/" does lead to something, but it feels like a 90's-era 'computers are hard to use' joke. After "A:/" comes "C:/", and since "Documents" also doesn't lead anywhere, the first actual joke is in "Music", which turns out to just be a slightly expanded version of #851. I think this setup will give a lot of people a really weak first impression of this comic, which does have actual good parts in it.

It's also worth noting that in this expanded version of #851, two of the 'endings' link back to previous XKCDs, and one links to not the official music video of "Absolutely (Story Of A Girl)" or a funny joke song using the intro to that song, but just someone's random upload of the song.

Really the only section that I think is enhanced by the comic's format is the "Games" section, which includes "Rock Paper Scissors" (where you always lose), "Twenty Questions" (which has jokes instead of an individual answer for each path but I'm not going to hold that against it since that'd be 1,048,576 unique paths), "D&D" (which seems to have mostly broken paths but its still a funny idea), and "ADVENT.EXE" (which did actually give me a genuine sense of accomplishment when I won, even if it was half by luck).

A few other things worthy of note:

"Sequences" is literally just a transcription of an Adult Swim promo.

The "Bookmarks" folder appears to be almost entirely links to previous XKCD comics, for some reason. I do really like how "Secret" leads to "Enable Dark Web", which adds a "Do Crimes" option to the main directory (the first crime is "Say Swears"! Hee!). But then that just leads to more XKCD links for some reason. Randall! You already have a comic archive!!

The "Check Space Usage" sub-directory includes "Dark Matter", "Hydrogen", and "Helium", which comes off as less unoriginal than it actually is due to the comic's format working naturally as a setup.

"Music" -> "Hey now" -> "Hey now na now" -> "Sing 'This Corrosion' to me" inverts the comic's colors, which means that there was the potential for more interactivity between the comic and the different filepaths. This means that there is NO EXCUSE having the "); DROP TABLE Menus;--" just link back to #327 instead of having some hilarious system error thing happen.

I do understand that this was intended specifically as an April Fool's Day comic, and that a few problems I have with it (the number of dead-ends, the jokes that are just links back to previous XKCDs) are likely a result of a lack of time. I also understand that the joke is more the presentation than the actual content. However, I'm someone who likes his dancing bears to dance well, thank you very much, and I have enough faith in Randall to believe that he could have made something that was both novel and entertaining, rather than just novel.

XKCD Isn't Funny - #1969 - Not Available [dedicated to Munch the cat]

There's a tendency among bad internet reviewers (like me!) to make hyperbolic statements, especially in the openings. Please understand, it's only because we want love and affection (and also because most of us don't know how to write a real introductary paragraph). So please be aware that when I say "I'm honestly not sure if this is supposed to be an anti-joke or not", I am aware that it reads like a forced and poor attempt to be funny and quotable, but no really I seriously can't tell.

Let's do a brief thought experiment. Imagine you check XKCD one day, and the picture is of one stick figure punching another. The caption is "If you ever really want to make people made, punch people in the face." See? It just doesn't work. Like... yeah, I know that would make people mad, it's a shitty thing to do. I have almost the same reaction to that hypothetical comic as I do to this one. The difference is that face-punching has a fun slapstick element to it, whereas region-locking is cold and boring.

Please note that I'm 100% aware that a lot of region-locking is because of copyright restrictions. Please also note that I think current copyright law is almost universally bad.

Explainxkcd tells me that this might be a joke on people who use VPNs to access region-locked content. That's like, maybe funny, but it'd be funnier to actually see someone trying different regions and failing, and then we could see Black Hat chuckling to himself or something. The alt-text is kinda clever too - a flag being region locked, get it?! But it's alt-text and it doesn't count.


When I was a kid Ed, Edd, n Eddy, I was kinda confused when I saw the Paul Boyd memorial note after the ending of "Look Before You Ed". It seemed kinda weird to me, since I thought cartoons were for kids. I didn't get why they'd want to put his name on a cartoon instead of a park bench or something. I didn't get back then that when you really love someone, you want them to be remembered, and thought of, by as many people as possible, as much as possible.

My cat Munch had to be put down this week.

My family got her when I was in fifth grade, from a cousin who got her from a friend who got her from someone else. Because of this, nobody is really sure exactly how old she was. She was originally named "Munchlax" by one of her previous owners, since she ate a lot. I'm pretty sure that at some point in her life she was abused. She was missing a tail (if you felt the tip it seemed bent in a way that I don't think a naturally missing tail would be) and when we first got her the first thing she did was run into the basement and hide for hours. It took more than a year before before she'd let me pet her. But eventually she realized I wouldn't hurt her and she slowly became the snuggliest cat in the world. I would wake up with her sitting on my back or cuddled up to my chest, usually purring like a tiny lawnmower. Back when I was more into trying to play the piano, she would always jump on my lap and headbutt my arms.

She loved to climb people. She would meow at me to pick her up, which had her head roughly level with my shoulder, and she'd climb up onto my shoulders and ride me around while I did things. She especially liked if I wore my hoodie so she could sit in the hood and have her paws on my shoulder. She'd do it to other people to, hilariously annoying multiple members of my extended family.

She loved to lay down in a woodpile outside my old house, and she'd blend in to the point where you wouldn't see her if you weren't looking. When she was sitting up and the sun would hit her right, she would almost glow, all her fur catching the light like a halo around her.

When my family first got her, there were crickets in the basement, but she was such a good cricket hunter that they were all gone within a year. Even when she was getting older she'd jump up and catch moths between her paws and eat them.

Speaking as someone who is at best a C+ and at worst barely functioning as a human being, Munch was the perfect therapy cat. I would look at her and I'd think about how much I loved her even though she was missing her tail and how she used to be scared of everything but wasn't anymore, and feel better about my own future. She was super soft and fluffy, and she could purr loud enough to wake people up.

This is one of the last pictures I took of her. She was sleeping and I didn't want to wake her up by petting her.

Rest in peace, Munch (????-2018). You were the best cat, and you were the best at being a cat.

XKCD - #1952 - Backpack Decisions & Questionable Content - #3676 - Put It On A Jazz Drive

When I was a kid, I didn't really understand how jokes worked. I didn't really understand how anything else worked either, but that's beside the point. I think it's a fairly universal thing for kids, when they get a laugh out of someone, to tell the same joke over again to see if they can get the same laugh. I've heard a few different people with children talk about things like this happening. And then the next stage, when that doesn't work, is somehow making the punchline 'bigger'. "To get to the other side!" becomes "To get to every side everywhere!", and so on. 

Just in general, kids don't understand the 'more is less' idea. You can see this in Hyperbole And A Half's "The Scariest Story", where the idea of 'a closet' quickly becomes 'THREE HUNDRED CLOSETS'. I remember specifically from my own childhood, after I first saw the Spongebob episode "Graveyard Shift" for the first time (and keep in mind I was like, five) I tried telling my own scary story, which took the idea of 'the lights will flicker on and off and etc' and turned that into 'and the lights will go up and down the wall and turn red' or something to that effect. 

I find it kinda interesting how when you do 'scary' too much, it stops being scary and becomes funny. Like, 'the killer with a hook for a hand' is scary, but then if you make it 'the killer with a hook for a hand and a skull face and he leaves a trail of blood with every footstep' suddenly that becomes a cartoon. Conversely, if you do 'funny' too much, it stops being funny and just becomes dumb, or, on occasion, a little bit creepy. 

I understand that in the two comics above, the exaggeration is part of the joke. I understand that. But the exaggeration is taken to such a degree that I can only think that these characters as depicted would not be functional people. And yes, I am taking the joke seriously, but only because of how the jokes are presented. 

In the XKCD, Randall is framing the comic to be #relatable. The first-person caption, the fact that the stick figure is standing in a store instead of shopping online, the way the graph underneath lists common things like laptops instead of Randall-specific things like 'hosting server' or etc. These things are meant to make the reader put themselves in the stick figure's/Randall's shoes. We are meant to be laughing with him, not at him. 

In the Questionable Content, we are viewing a moment in a story. This story includes a recollection of a suicide, discussions of war by a veteran who lost all her squadmates, a near-death from drinking, etc etc. My point is that Questionable Content, although it may be generally comedic, has Serious Moments. And in order to take these Serious Moments seriously, there needs to be basic order and logic. Sure we can have super science cardigans and all that; but nobody is going to spontaneously learn to levitate, the laws of physics still apply to everyone, etc. If someone is punched in panel one, they should have a bruise in panel two. Logic needs to apply.

In short, because of the context and presentation that these two comics have, the silly one-off gags that could be funny instead become worrying. Like, Emily just described herself as having vivid long-term hallucinations that she can't distinguish from reality. That's a problem! That's a big big problem! She works at a coffee shop with boiling liquid all day! I understand her thing is that she's unrepentantly weird, but there's a difference between enjoying weird food and literally being unable to tell what's real and what isn't. I know it's just a one-off gag, but now for every strip Emily appears in, I'll be thinking "Why has she not gone on meds yet that's what they're FOR.".

The XKCD comic is less unnerving since we don't have as much of an established universe, but it's still troubling. Again, I understand, exaggeration, comic effect; but the comic does not lend itself as framed to cartoonish hyperbole. Look at the art, it's a detailed drawing of a standard shopping aisle. And the guy is going over concerns that a person would probably actually have when buying a backpack. That makes the comic seem more grounded in reality. 

A better image would be the guy literally digging through a massive pile of backpacks, with the narration like "That one doesn't have pockets, that one's not waterproof, none of these are good enough, none of these are good enough", and then the caption could be "I've spent more time trying to find the right backpack then I spent trying to find the right college." I'd still think it was a weird choice for a comic, yknow, like, seriously, it's just a backpack; but it wouldn't be worth a write-up. 

On an entirely unrelated note, I don't know to what extent any of you are invested in me as a person beyond the #content I produce. Which is totally understandable if you aren't, really, I'm just a guy. But on the off chance you've been wondering why I took that break back in 2015 (back when I thought one paragraph out of four counted as 'reviewing the comic'), please feel free to check out the first thirty minutes or so of the latest episode of my dumb podcast (autoplaying sound warning if you click the link), where all is revealed, possibly to an uncomfortable degree. 

In conclusion, I dyed my hair again.

XKCD Isn't Funny - #1948 - Campaign Fundraising Emails

I understand that mimicking the Gmail format is part of the joke, but I've been conditioned over the years to not even read the bold parts unless I'm looking for something in particular. I look at this comic and my eyes just glaze over. It's just a big wall of text, the kind that I read comics to procrastinate having to interact with in the first place!

Aside from the GODAWFUL choice of presentation, the comic is eh. Not actually terrible, but not anything above a D+. I really, really like the idea of a Nigerian Prince sending out a campaign email, but it's just one disconnected line that's not even lead up to. A few other lines aren't bad - 'Doom' and 'Outrageous' are pretty good - but overall things just fall flat. 'Wow', the second subjectless one, and 'They say we can't win' are just uninspired and kill any potential momentum to the overall joke-flow.

And another thing, why is this coming out now? I understand that there are elections going on all the time, but it's not really campaigning season. This really seems like a comic that would be best deployed when the campaign cycle is in a fuller swing. Not that jokes have to be topical, but still, it's weird.

Also for the record I do know that there have been a few campaign ads released but 1. most of those were during the Super Bowl, which was after this comic came out and 2. they were for losers nobody cares about. Sorry to Jonathan Lamb if you're reading this but your name is stupid and you're not gonna be president.

XKCD Could Be Improved Somewhat - #1945 - Paper Graph Quality

Hey, XKCD finally reached the "WWII" milestone! We've just killed Hitler! Wooo!!!

Speaking of things to be happy about, I don't hate this one! As always I'm obligated to point out his hypocrisy in failing to give labels to the axises, and graph jokes are always a little bit lazy, but c'mon have you SEEN Nintendo's 2003 E3 presentation? This is something that deserves to be mocked.

Now obviously this would be better with some visual accompaniment. However, I came up with a simple fix that brings this comic from 'passable' to 'brilliant', without any visuals at all. First, shrink down the 'era' marker to the mid-2000s, it's more accurate. The line should still be rising up toward the end. Then, right at the end of that era, have a marker that says "web cartoonists discover graph jokes", and the line goes down again. It'd be AMAZING.

Pedants may say that webcartoons don't count as scientific papers, but I'll have you know that I go to college and -I swear this is true- I've seen XKCD chart comics as part of official class lessons no less than THREE TIMES. So stick that in your [noun] and [verb] it, pedants!

Oh, and the line should go down directly after the 'PowerPoint/MS Paint Era' thing begins, not before. And the line should be a more rapid decline, like the inverse of this:

It makes the correlation, and by extension, the comic, clearer and therefore funnier. 

In conclusion, I'm looking forward to the Cold War over the course of the next few strips. Если вы потратили время, чтобы перевести это, я люблю вас, comrades!